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With the coming into view of a quantum mechanical picture of matter and of all that exists,

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many of the traditional ways in which physicists were thinking about nature had to change.

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In the pre-quantum world, Newton thought of objects as being made of particles,

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and the particles had mass, they had size, they had motion,

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then they had other attributes that later were added on, like electric charge.

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So the object, and all of these could be measured, so that in a Newtonian picture of physics,

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everything was made out of particles and the particles could all be measured,

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every aspect of them could be measured, so that the object or the matter was identical to its observables.

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Everything you could think about, you could measure.

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Quantum mechanics changed that in a profound way.

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Quantum mechanics began to show us that whereas matter obviously exists,

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the things that are available for us to know about it are limited.

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For example, the position and velocity of an object are not simultaneously knowable

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with arbitrary precision in the same direction.

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So in these ways, quantum mechanics gave us a sense of humility about our level of knowledge.

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matter exists, but what it presents to us is limited.

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There is only so much we can know about it.

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But there has been a very long-standing, and in fact ongoing, question in the field of quantum foundations

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as to what is actually going on, what is really happening to matter, so that it behaves in the ways that we see.

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For example, there is this simple experiment that people often use to describe quantum mechanics.

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They talk about a double-slit experiment.

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So in a double-slit experiment, you consider a situation where you have a source of particles,

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you have a wall, and the wall are, let's say, two holes.

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You close one hole, you look back behind the wall, and you have a detector.

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And from this source, you shoot off, let's say, bullets.

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Eventually, on this back surface, you see a pileup of incidents, of hits, of events.

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When you look at that distribution, you see a hump.

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Now you do the experiment again. You open this hole, and you close the other hole.

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Now from this one, you do the same thing. You see the same thing. It's just another distribution.

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Now the strange thing is that when you open both holes, you expect to see just the sum of the two distributions.

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In other words, you know, they would add up together.

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But in fact, you see a pattern that looks like an interference, looks like as if a wave went through.

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And in some places, what you see is less with both holes open than with one hole open.

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How is it that I open the second hole and some go away here?

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And this was the first hint that something very mysterious or something very strange is happening.

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That there seems to be a wave nature involved as well.

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Now the question is, how do we then have a coherent, consistent ontology, which means a description of existence,

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that is consistent with both this particle nature and the wave nature?

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And that's been a subject of great debate in quantum mechanics.

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And I would say at this point, there is not a definite answer.

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And this is an area which is still needing a lot of work.

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Whereas we know enough about the quantum world to predict the results of experiments extremely well,

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we don't have a clear understanding of the underlying things that are going on.

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One philosopher and mathematician by the name of Wolfgang Schmidt is proposing a picture these days of quantum mechanics

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in which he's invoking essentially a classical ancient picture,

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in which it kind of goes back to, for example, what the Greeks would have called the hylomorphic conception of nature.

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Whereas the hyla, which is the substrate of matter, and then morph, which is the shape of the matter.

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So if you think of a piece of marble, the marble, a big chunk of marble, there is, you can think of a statue as in there.

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But until the sculptor actually puts that shape in, carves that shape out of the marble, there is none of that statue in there.

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The statue is in there, but it's not really in there.

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It's really in the form that the statue is.

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But the form without the marble is also not a statue.

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So the hyla and the morph need to come together.

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So Wolfgang Schmidt kind of uses this to say that in reality there seems to be, at one level, a corporeal world,

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in which it's the world of objects we see and sense and touch.

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But then in another level there is the world of the physics, of the physicist,

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which is something in between sort of this corporeal world and this sort of the highly kind of space,

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this Greek highly concept.

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And that there is the potentiality that quantum mechanics talks about is really in this in-between state,

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which Schmidt calls the physical world.

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It makes for a difficult ontology.

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It's one that I don't feel like I fully grasp.

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But also I can tell you that it tells us there is still a lot of exciting work ahead.

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That even understanding the very basic nature of matter is still something that's not fully grasped.

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It's a humbling thing.

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It says that God created the world with much more depth and detail than our simple approximations

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can just dispatch and make it look like, oh yeah, we know everything.

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No, there is a lot more to learn.

